Takashi Horisaki

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Community Collaborations

  • Social Dress Buffalo
  • Social Dress New Orleans
  • Meet Me at the Unisphere
  • Social Dress St. Louis
  • Diaries from the Capillary City
  • Social Dress Lower East Side -- Material Memories

Process

  • Social Dress New Orleans
  • Social Dress Lower East Side - Material Memories

Studio-based Artwork

  • Social Dress San Francisco
  • Untitled (ABC No Rio)
  • Metabolic Plans A-D
  • Re-Zoning 1975
  • Drawings, Wall Hangings & Misc.
  • Metabolic Morphology
  • #InstaBonsai Series
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Bio

TAKASHI HORISAKI (b.1974, Tokyo) is a sculptor and community-based artist living between New York and Tokyo. His work focuses on the relationship of architecture, the built environment, and material culture to issues of social inequality, community-building, migration, and cultural circulation.

Horisaki’s work has been exhibited internationally at venues including New Orleans’s Prospect.1 Biennial (2008), the Incheon Women Artists Biennale, Korea (2009), the Contemporary Art Museum St. Louis (2012), Seoul Art Space Geumcheon (2012), and BankArt 1929’s R16 Studios in Yokohama (2018). In 2019, Horisaki received a Japan Foundation Asia Center Fellowship to conduct workshops at artist run spaces across South East Asia. These workshops culminated in a two-person exhibition and collaborative panel discussion series at Komagome Soko gallery in Tokyo in August 2019. He has received commissions from the Sculpture Center, NY; LMCC’s Paths to Pier 42 community-based commissioning program in the Lower East Side, NY; Socrates Sculpture Park, NY; the Queens Museum of Art, NY; the Storefront for Art and Architecture, NY; Buffalo Arts Studio, NY; and Southeastern Louisiana University. His work has also been shown in exhibitions at Azumatei Project (2020); Internet Yami-ichi (2019, 2016, 2015); SPRING/BREAK Art Show (2020, 2017, 2016, 2012); Recess Soho (2014); Regina Rex (2014, 2010); the Calder Foundation (2014); Abrons Arts Center Gallery (2013, 2011); hpgrp Gallery New York (2012); Dorsky Gallery Curatorial Projects (2012); Kunsthalle Galapagos, NY (2011); Regina Rex, NY (2010); Third Streaming Gallery, NY (2010); the Mason Gross Galleries at Rutgers University, NJ (2010); the Deutsches Hygiene-Museum, Dresden, Germany (2008); Flux Factory Inc., Queens (2006, 2007); The LAB Gallery, San Francisco (2006); Murray Guy Gallery, New York (2005); and the Washington University Gallery of Art, St. Louis (2004).

A participant in the 2018 BankArt R16 Residency Program, the 2013-14 Harvestworks New Works Residency Program, the 2012-13 Abrons Arts Center AIRspace Residency, the 2012 Urban Research Project Residency at Seoul Art Space Geumchoen, and the 2008-09 LMCC Workspace Residency Program, Horisaki is the recipient of awards including the POLA Art Foundation Emerging Artist Grant (2010-11), the Urban Artist Initiative/New York City Fellowship (2008), the Dedalus Foundation Master of Fine Arts Fellowship (2005-06), and the Socrates Sculpture Park Open Space program grant (2007). His work has been discussed in publications including ArtNews, Artsy, Art in America, Artforum, ArtReview, The New York Times, the Brooklyn Rail, the Huffington Post, Hyperallergic, NPR’s Studio 360, the Geothe-Institut’s Humbolt Magazine, The News Hour with Jim Lehrer, the NEA Arts Magazine, the Art21 Blog and Bijutsu Techō. Horisaki has also conducted workshops and lectures at organizations including the Japan Society; DIA/Abrons Arts Center at the Lower East Side Prep Academy; Seoul Art Space Geumcheon; The 3RDspace Summer Leadership Institute in Creativity & Innovation presented by CoLAB, Piasa Bluffs Writing Project and the Saint Louis Art Museum; the Contemporary Art Museum St. Louis; Brooklyn House of Kulture in Coney Island; Pratt Institute; Webster University (St. Louis, MO); and Loyola University in New Orleans.

CV (click here to download)

Education

MFA 2005           Studio Art – Sculpture May 2005                                                       Washington University in St. Louis, St. Louis, Missouri

B.F.A. 2003         Studio Art – Sculpture & Digital Media emphasis                       Loyola University, New Orleans, Louisiana

1997-2000          Urushi (Traditional Japanese Lacquer ware) apprentice                      under Nagatoshi Onishi, Professor Emeritus of Tokyo                        National University of Fine Arts & Music

B.A. 1998            Waseda University, Tokyo, Japan                                                        Major in Art History (Japanese Buddhist/Craft Art History)

Exhibition History

2021           Crossing the Boundary from Behind, online group                            exhibition curated by Midori Harima for Impact 11:                                    International Printmaking Conference, Hong Kong,                      https://www.impact11.hk/application                                                           /en/submission/submission-xge9rlp5/

                   Participant in Jia-Jen Lin’s collaborative project During                      this Time, Brooklyn Arts Council, on Instagram                                          @during_this_time and delivered by USPS to select                      residents of Brooklyn

2020           #16 Vividor, Azumatei Project, Kanagawa, Japan and                      online

                   Neo-Ornamentalist Redux, curated by Nina Horisaki-                      Christens, SPRING/BREAK Art Show 2020, NY

2019           Internet Yami-ichi NY3, NOWHERE Soho, NY

                   Surface and Structure ~ Latex and Real Estate, Komagome                    Soko Gallery, Tokyo, Japan (two person exhibition                                    featuring Takashi Horisaki and Keita Saito)

2018           R16 Studio Exhibition, BankART1929, Yokohama,                                     Japan 

                   Illustrations for “アート・コレクターと税制 ― マイ・ルール                    構築に向けて”series (#0, #1, #2-1, #2-2), by Mari                                     Yamauchi, NOTE, https://note.mu/mari_                                                    yamauchi/n/n0bd817de1b8e

2017           BKLYN IMMERSIVE curated by SPRING/BREAK Art Show,                    Brooklyn, NY

                   Data Plan for a Preserving Machine, curated by L.O.G.                      (April Childers and Maria Britton) at Lump Gallery,                                    Raleigh, NC

                   Collaboration with designer Miniko Ko for KOllision                      Fashion Show, New York, NY

2016           Of Record: Takashi Horisaki and Gautam Kansara,                      Grizzly Grizzly, Philadelphia, PA

                   Knife Hits, curated by Rachel Phillips, Spring Break,                      New York

                   Internet Yami-ichi 2016, Knockdown Center, Brooklyn, NY

                   Ontology of Influence, curated by Arny Nadler, Des Lee                      Gallery, St. Louis, MO

2015           Internet Yami-ichi, Knockdown Center, Brooklyn, NY

                   Place Names the Place, curated by Andrew Thompson,                      Eastern Michigan University Gallery, MI

2014           Metabolic Morphology, Session at Recess (Soho), New                      York, NY

                   Social Dress Lower East Side – Material Memories, Paths                      to Pier 42, Lower Manhattan Cultural Council and Lower                      East Side Waterfront Alliance, New York, NY

                   Cemetarium, Emerson Dorsch Gallery and Regina Rex,                      Miami, FL

                   Share This! Appropriation After Cynicism, Denny Gallery,                      New York, NY

                   The Wall, Brooklyn Fireproof, New York, NY

2013            AIRSpace 2013, Abrons Arts Center, New York, NY

                    Dia/Abrons LESP Education Exhibition, Abrons Arts                       Center, New York, NY(as educator/curator)

                    Thanks, organized by Adam Parker Smith, Lu Magnus                       Gallery, New York, NY

                    Backdrop for Labyrinth Choir’s rendition of Faure’s                       Requiem, collaboration with set designer Anna                                          Etsuko Tsuri, Lexington, MA

2012           Urban Research Project, Seoul Art Space Geumcheon,                    Seoul, Korea

                   Contested Territories, curated by Miguel Amado, Dorsky                    Gallery Curatorial Program, Long Island City, NY

                   Views of Life, curated by Reiko Tomii, hpgrp Gallery New                    York, NY

                   Social Dress St. Louis, curated by Los Caminos, Front                    Room at the Contemporary Art Museum St. Louis, MO

                   Transhuman, curated by Cecelia Stucker, SchoolHouse                    Projects, New York

                   Mutual Friends, Present Company, NY

                   In Practice: You never look at me from the place from                    which I see you, curated by Kristen Chappa, Sculpture                    Center, Long Island City, NY

2011           InSite: Art +Commemoration – Ideas, Online exhibition as                    part of LMCC’s commemoration of September 11,                    Lower Manhattan Cultural Council, NY NY

                   Can’t Hear the Revolution, Kunsthalle Galapagos,                              Brooklyn, NY

                   The Days of this Society Are Numbered, Abrons Arts                     Center, curated by Miguel Amado, New York, NY

2010           Planet of the Slums, Third Streaming, New York, NY

                   Regina Rex Gallery, Brooklyn, NY

                   Planet of Slums, curated by LaToya Ruby Fazier and Omar                    Lopez-Chahoud, Mason Gross Galleries, Rutgers Univ., NJ

                   Irrelevant: Local Emerging Asian Artists Who Don’t Make Art                    About Being Asian, Arario Gallery, New York, NY

                   Social Dress Buffalo: The Past Reflecting the Future, Buffalo                    Arts Center, NY

2009           Hanging out at ABC No Rio, curated by Erin Marie Sickler,                    at ABC No Rio and Cuchfritos Gallery, New York, NY

                   The 21st Century, the Feminine Century, and The Century of                    Diversity and Hope, curated by Heng-gil Han for the 2009                    Incheon Women Artists Biennale, Korea

                   Forever Summer, Denise Bibro Fine Arts, New York, NY

                   Other, Other…High Visibility, curated by Wanda                                       Raimundi-Ortiz, Nathan Cummings Foundation Gallery, NY

2008           Propect.1 Biennial, curated by Dan Cameron,                                       New Orleans, LA

                   Carving the Coast, Southeastern Contemporary Art Gallery,                    Southeastern Louisiana University, Hammond, LA

                   Metro Poles: Art in Action, Jamaica Center for Arts and                    Learning in co-operation with the Bronx River Arts Center,                    Queens, NY

                   2 Degrees. Weather, Man and his Climate, The German                    Hygiene-Museum, Dresden, Germany

                   Say Goodbye to…, curated by Donna Harkavy and Marion                    Wilson, Clifford Art Gallery at Colgate University, Hamilton,                    NY

                   There is No Synonym for Hope, curated by Lauren Schell                    Dickens and Julie McKim, Smack Mellon, Brooklyn, NY

                   This Case of Conscience: Spiritual Flushing and the                    Remonstrance, Queens Museum of Art, NY (commission –                    group show)

                   Among the Ruins, Curated by Sarah Urist Green, Space 301                    Off Center, Mobile, AL

2007           NYNYNY, Flux Factory, Long Island City, NY

                   Social Dress New Orleans – 730 days after, Socrates                    Sculpture Park, NY(commission)

                   Second Line, AdHoc Art Gallery, Brooklyn, NY

2006           Down the Street and around the Corner, Flux Factory Inc,                    Queens, NY(catalogue)

                   Listening – Living Art from Tokyo and San Francisco, The                    LAB Gallery, SF, CA

                   Boomerang: Visual Arts Alumni Exhibition, Collins C. Diboll                    Art Gallery, New Orleans, LA

2005           Invited, Emerging Artist Exhibition, Murray Guy, Chelsea,                    NY

                   Inaugural Exhibition, Bruno David Gallery, St. Louis, MO

                   MFA Thesis Exhibition, Des Lee Gallery, St. Louis, MO

                   Sculpture Exhibition, 2400 S. Jefferson, St. Louis, MO

2004           -Scope London Art Fair, London, England (Invitational)

                   Within/Without, Artists working with the Collection, Mildred                    Lane Kemper Art Museum, Washington University, St.                    Louis, MO (catalogue)

                   Birth Rite September 2004, solo performance, Elliot Smith                    Contemporary Art Gallery, St. Louis, MO

                   Well Hung – Passport to Contemporary Art Exhibit, Critical                    Mass for Visual Arts Exhibition, The Regional Arts                    Commission, St. Louis, MO (Juried)

                   Emerging Sculptors: Louisiana Student Exhibition,

                   International Sculpture Center Annual Conference, Barriere                    Space, New Orleans, LA

                   Twentieth Anniversary Exhibition, Elliot Smith Contemporary                    Art Gallery, St. Louis, MO

                   MFA School of Art Washington University Group Exhibition,                    Moreau Art Galleries at Saint Mary’s college, Notre Dame,                    IN

                   Everything You Ever Wanted to Know about Art….., group                    exhibition, Elliot Smith Contemporary Art Gallery, St. Louis,                    MO

                   Art is Everything, group exhibition, SEEN Gallery Group,                    Fort Gondo Gallery, St. Louis, MO

                   1st year MFA Exhibition, Des Lee Gallery, St. Louis, MO

                   Vernacular, two person show, Fort Gondo Gallery, St. Louis,                     MO

2003           Scully Scholarship Winner Solo Exhibition, Dana Center                    Gallery, New Orleans, LA

                   Righty Tighty Lefty Loosey group sculpture exhibition,                    St. Louis, MO

2002           7th Annual No Dead Artists: An Open Juried Exhibition of                    New Orleans Art Today, Jonathan Ferrara Gallery, New                    Orleans, LA

                   1st Annual Tennessee Williams Visual Arts Juried,                    Exhibition New Orleans, LA

                   Loyola Annual Juried Student Show, New Orleans, LA (1st                    Place Award)

Grants/Awards/Residencies

2021            New York City Artist Corps Grant, NYC, NY

2020            Smack Mellon Hot Picks Artist, NYC, NY

2019            Sa Sa Bassac Residency, Phnom Penh, Cambodia                     (postponed)

                     Japan Foundation Asia Center Fellowship to conduct                      workshops at artist run spaces in South East Asia

2018            R16 Studio Residency, BankART1929, Yokohama,                                   Japan 

2013-14       Harvestworks New Works Residency, NYC, NY

2012-13       AIRspace, Abrons Arts Center, Henry Street Settlement,                     NYC, NY

2012             Commission for ceiling preservation artwork, Storefront                      for Art and Architecture, NYC, NY

2012             Urban Research Project Residency, Seoul Art Space                      Geumcheon, Seoul, Korea

2010-2011    POLA Art Foundation Emerging Artist Research                      Grant, Japan

2008             Lower Manhattan Cultural Council Workspace Residency                       Recipient, NYC, NY

                     Urban Artist Initiative/New York City Fellowship                                     Recipient, NYC, NY

2007             Open Space Program Commission from Socrates                      Sculpture Park, NYC, NY

2004-5          Recipient of Dedalus Foundation Master of Fine Arts                      Fellowship in Painting and Sculpture, Dedalus Foundation,                      Inc. NYC, NY

                     Nominated for 2004 Outstanding Achievement in                      Contemporary Sculpture Award, International Sculpture                      Center, Hamilton, NJ

2003             School of Art Scholarship, Washington University,                      St. Louis, MO

Lectures/Visiting Critic/Teaching Experience

2020             ZOOM Studio Visit with Hisamatsu Tomoko, resident                                artist at TOKAS, Tokyo (organizer and participant)

2019              Instructor at Parsons School of Design, New School                                 (Integrated Design Studio sophomore                                                        requirement class)

                     Series of six panel discussion public programs                                          for Surface and Structure ~ Latex                                                              and Real Estate, Komagome Soko Gallery,                                               Tokyo, Japan (organizer and participant)

                     Ran collaborative workshops in artist-run spaces                                      in Manila, Phnom Pehn, Yogyakarta,                                                          Jakarta, Ho Chi Minh City, and Hanoi                                                        over the course of two months

2018             Visiting Critic for undergraduate Painting Class,                                        Tokyo University of the Arts, Tokyo, Japan

2017             Visiting Artist at Musashino Art Museum Class,                                          Musashino Art University, Tokyo, Japan

                     Visiting Artist at Sculpture Department, Hartford                                         Art School, University of Hartford West Hartford, CT

                     Ceramics Teaching at Henry Street Settlement Senior                      Citizen House

                     Teacher for “Japanese Pottery Ware” Adult Workshop,                      Abrons Arts Center, NYC,

2016            Instructor at Parsons School of Design, New School                     (Integrated Design Studio sophomore requirement                     class)

                     Ceramics Teaching Artist for Abrons Public School                      Art Program, PS172 and MS88, Brooklyn, NY

                     Ceramics Teaching at Henry Street Settlement Senior                      Citizen House

                     Ceramic Teaching at Artshack, Brooklyn, NY: Introduction                      of Wheel Traditional Pottery in Japan

2014             Abrons Arts Center Adult Workshop, New York, NY

2013             Potluck Artist Talk Series, Japan Society, New York, NY

                     DIA/Abrons Arts Center Art Class for Lower East                      Side Prep Academy, NY

                     “Politics and Cultural Histories,” coversation with                      Danielle Adair and Takashi Horisaki in conjunction with                      Contested Territories at Dorsky Gallery Curatorial                      Programs, Long Island City, NY

2012             Workshop for high school students in Geumcheon, Korea

                     Workshop for The 3RDspace Summer Leadership                      Institute in Creativity & Innovation, presented by CoLAB,                      Piasa Bluffs Writing Project and the Saint Louis Art                      Museum, hosted by the Saint Louis Art Museum,                                      St. Louis, MO

                     Guest Lecture, Teen Museum Studies program,                                        Contemporary Art Museum St. Louis, MO

                     Guest Lecture for Sculpture II, St. Louis Community                      College at Meramec, St. Louis, MO

2011             Hunter College MFA Student Association Visiting Critic,                      CUNY, NY

                     Recycling Culture, Urban Neighborhood Services with                      Brooklyn House of Kulture, Coney Island, NY

2008             Pratt Institute, Visiting Artist Lecture and Studio Visits,                      Brooklyn, NY

2006             Radio interview on WTUL, New Orleans, LA

2005             Webster University, Visiting Artist, St. Louis, MO

                     Washington University in St. Louis, Lacquer Arts lecturer                      for Asian Arts: Ancient Worlds to Contemporary                                         Practice Art History class, MO

2004             Loyola University New Orleans, Visiting Artist, LA

Bibliography

2020            “Take a Tour of the 2020 Spring/Break Art Show in New                      York,” by Claire Selvin and Tessa Solomon, ArtNews,                      March 3, 2020, https://www.artnews.com/gallery/                                       art-news/photos/spring-break-art-show-2020-                                            slideshow-1202679860/2020303_spring_break_292/

                     “5 Works at Spring/Break You Can Buy for under $10,000,”                      by Alina Cohen, Artsy, March 4, 2020, https://www.artsy.                      net/article/artsy-editorial-5-works-springbreak-buy-10-000

                     “5 Outstanding Works at SPRING/BREAK 2020,” by                      Chandra Noyes, Art & Object, March 6, 2020, https://                      www.artandobject.com/news/5-outstanding-works-spring                      break-2020

2019            Takashi Horisaki and Keita Saito (two artist catalogue),                     Tokyo: Shibu House and Art Phil, 2020 (pending)

                     “芸術と不動産と展覧会。きりとりめでる評「齋藤恵汰&                      堀崎剛志『構造と表面』〜ラテックスと不動産」” by                      Kiritori Mederu, Bijutsu Techo, August 31, 2019, https://                      bijutsutecho.com/magazine/review/20463

                     “齋藤恵太&堀崎剛志「構造と表面」” by Tomomi                                     Maruyama, Commune Plus, August 11, 2019, https://                      communeplus.themedia.jp/posts/6748503/

                     “「芸術と不動産のラディカルな関係」とは? 齋藤恵汰と                      堀崎剛志による「構造と表面」展が駒込倉庫で開催へ”                      Bijutsu Techo Exhibition News, July 19, 2019, https://                      bijutsutecho.com/magazine/news/exhibition/20191

                     “アートに平和を託す 横浜でワークショップ” by Takashi                      Miki, Kanagawa Shimbun, Monday January 14th, 2019

2018            “廃線、アートに再生 「R16スタジオ」一般公開                       横浜・桜木町” (author not listed), Asahi Shimbun,                                     November 17, 2019

                     “きょうまで 芸術拠点「R16」公開 東横線旧横浜-                      桜木町の高架下” by Shota Shimura, Tokyo Shimbun                      (Yokohama, Kanagawa edition), November 18, 2018

2017            “Japanese Artist Builds Full-Scale Replica of Home Hit by                      Hurricane Katrina,” by DJ Pangburn, Vice Creators                      Project, May 11, 2017, https://creators.vice.com/en_us/                      article/japanese-artist-hurricane-katrina-home-replica

                     “SPRING/BREAK BKLYN IMMERSIVE Is a Welcome                      Relief From Art Fair Frenzy,” by Terence Trouillot, Artnet                      News, May 8, 2017, https://news.artnet.com/market/                      springbreak-bklyn-immersive-951815

                     “SPRING/BREAK has Sprung in BKLYN,” by Roman                      Kalinovski, Artcritical, May 7, 2017, http://www.artcritical.                      com/2017/05/07/springbreak-sprung-bklyn/

                     “SPRING/BREAK presents BKLYN IMMERSIVE,” by                      Jongho Lee, Eyes Towards the Dove, May 9, 2017,                      http://eyes-towards-the-dove.com/2017/05/springbreak-                      presents-bklyn-immersive/

                     “Bklyn Immersive – Spring/Break Art Show,” by Stephen                      Barry, Arte Fuse, May 13, 2017, https://artefuse.com/                      2017/05/13/bklyn-immersive-springbreak-art-show/

                     “Latex sculpture of demolished shotgun house in                                       Lower 9th Ward to rise again — in Brooklyn,” by Katy                      Reckdahl, The New Orleans Advocate, April 23, 2017,                      http://www.theadvocate.com/new_orleans/news/article                      _645a7cc2-27b5-11e7-b770-c367bd13cef0.html

                     “These Stunning Immersive Art Installations Will Shift                      Your Worldview,” by Keith Estiler, Hypebeast, May 21,                      2017, https://hypebeast.com/2017/5/new-art-installations-                      2017-may

2015            “10 Artists to Know from America’s First-Ever Internet                      Flea Market,” by Kate Messinger, The Creators Project,                      September 14, 2015, http://thecreatorsproject.vice.com/                      blog/10-artists-to-know-from-americas-first                                                 -ever-internet-flea-market

2014            “History in the Age of the Latex Cast,” by Kelly                                         Chan, Critical Writing at Recessart.org, May                                         2014, http://www.recessart.org/activities/8978

                     “The Making of Paths to Pier 42: An Interview                                         with Takashi Horisaki and Team,” by Amanda                                        Pelavin, Aug 14, 2014, http://pathstopier42.com/                                      2014/08/14/the-making-of-paths-to-pier-42-an-                                         interview-with-takashi-horisaki-and-team/

                     “We Went to Soho: Soho Art and Vietnamese Food,”                                by Corinna Kirsch and Whitney Kimball,                                                    ArtFCity.com, April 23, 2014, http://artfcity.com/                                2014/04/23/we-went-to-soho-soho-art-and-                                               vietnamese-food/

                     “Placemaking and Social Equity: Expanding the                                         Framework of Creative Placemaking,”                                         by Debra Webb, Artivate: A Journal of Entrepreneurship                          in the Arts vol 3, issue 1 (Winter 2014), p.35-48.

                     “Glimpses of the Past and a High Tech Future:                                         A Critic’s Gallery Crawl Through SoHo and                                         TriBeCa,” by Karen Rosenberg, New York Times,                      April 3, 2014

2013            “Interviews: Residency Artists in Seoul,”                                         by Dan Hards, Eloquence Magazine; For Creators                                    About Creators issue 65 (August 2013), p.60-102

                     “Provocations, Improvisations: Encounters                                                Between Art and Qualitative Research,” talk by                                         Rachel Holmes, 3rd Summer Institute in Qualitative                                  Research, Manchester Metropolitan University,                                          UK, July 24, 2013

2012            “Abstract Containers: a Ready-Made                                        Architecture Exhibition,” by Mitch McEwen,                                           Huffington Post, http://www.huffingtonpost.com/                                        mitch-mcewen/abstract-containers-exhibit                                          _b_1859000.html, Sept 7, 2012

                     “Latex Sculpture as Connective Tissue in St. Louis,” by                      Regina Martinez, Reblog Foundation, http://rebuild-                      foundation.org/blog/?p=1170, July 27, 2012

                     “In the Galleries – Social Dress St. Louis: Learning and                      Unlearning at CAM,” by Jessica Baran, Riverfront                      Times, June 28, 2012

                     “Takashi Horisaki presents Social Dress St. Louis at the                      Contemporary Art Museum St. Louis,” by Laura Elizabeth                      Barone,  Temporary Art Review,                                                              http://temporaryartreview.com/takashi-horisaki-                                        presents-social-dress-st-louis-learning-and-                                          unlearning-at-the-contemporary-art-museum-                                          st-louis/, July 3, 2012

                     “Personal Effects,” by Nina Horisaki-Christens, Art21                      Guest Blog, http://blog.art21.org/2012/06/15/                                         personal-effects/, June 15, 2012

                     “Urban Social Network,” by Chennie Huang, CH                      Reviews, http://www.chenniehuang.com/2012/01/

                     urban-social-network_24.html,January 24, 2012

2011            “The Days of This Society Are Numbered,” by Gail                      Victoria Braddock Quagliata, Brooklyn Rail, April 2011.

                     “Planet of Slums,” by Jonathan T.D. Neil, Art
                    
Review
Issue 48, March 2011, p. 128

                     “New York: SOHOの若い熱気が生み出す、「スラムの                      惑星」展の秀逸,” by 藤森愛実、美術手帳 vol.63 n.949,                      March 2011, p.147

                     “Art Talk With Takashi Horisaki,” by Paulette Beete,                      ArtWorks (NEA Blog), http://www.arts.gov/artworks/                      ?p=5426, Feb 1, 2011

                     “Takashi Horisaki’s Social Dress New Orleans: 730                      Days After,” NEA Arts Magazine Web Feature, http://                      www.nea.gov/about/NEARTS/2010_v4/webf/                                         horisaki/horisaki.html, Jan 2011

2010            “The Big Apple & The Big Easy: Trauma, Proximity,                      and Home in New (and Old) Media,” by Joy Fuqua, Old                      and New Media After Katrina, edited by Diane Negra. New                      York: Palgrave MacMillan, 2010, pg 41-65.

                     “An Upstate Tour: Public Art on the historic waterways                      of New York,” by Nadine Wasserman, Public Art Review                      vol. 22 n. 1, Issue 34, fall/winter 2010, pg. 50

                     “Ghosts of Disaster in New Orleans,” by Ian Epstein,                      Hyperallergic Online Magazine, October 8, 2010

                     “Eyes Forward,” by Jack Moran, ArtVoice vol. 9 num. 6,                      June 2010

2009            “An Interview with Horisaki Takashi”, Trenton Truitt,                      Eye-Ai Magazine, River Field, July 2009, pg. 32-35

                     “Art Project to Support New Orleans,” Trenton Truitt,                      Hiragana Times, March 2009, pg 33-35

                     “Being There,” Elizabeth Schambelan, Artforum,                      January 2009, pg. 175

                     “Desigualdad sin fronteras,” Ulrich Beck, Humboldt                      (published by Goethe-Institut), n.152, 2009, pg. 56-61                     

                     “ハリケーンから3年、ニューオリンズ初の国際展は                      従事充実の出来映え,” by 藤森愛実、美術手帳 vol.61                      n.917, January 2009, p.117

2008            Prospect.1 New Orleans [exhibition catalogue], ed.                      Dan Cameron. Brooklyn: Picturebox, 2008.

                     “New Orleans Art Exhibition Aims to Help City Heal”                      Jeffrey Brown, PBS’s the NewsHour with Jim Lehrer,                      December 15, 2008

                     “Kaleidoscopic Biennial for a Scarred City,” Roberta                      Smith, New York Times, November 3, 2008

2007            “New Orleans Ghost House,” Matthew Isreal, Art in                      America, October 2007, pg. 49

                     ” ‘Katrina’ House in Queens Brings Storm’s Devastation                      Home,” Trent Morse, Williamsburg Greenpoint News +                      Arts, Volume 1 Number 2, September 2007

                     “Meditations on New Orleans, two years after the storms,”                      Brian Chasnoff, San Antonio Express-News, August 24,                      2007

                     “Household: Learning from Leaving New Orleans,” by Joy                      Fuqua, In Media Res, http://mediacommons.futureofthe                      book.org/imr/2007/08/17/household-learning-from-                      leaving-new-orleans, August 17, 2007

                     “Vulture: Art Candy: After the Flood,” Rachel Wolff, New                      York Magazine Online, August 8, 2007

                     “NOLA Comes to Queens,” Jason Rhein and Jocelyn                      Gonzales, Studio360, August 3, 2007

                     “Replica of Ruined N.O. Home Makes New York Debut,”                      Katy Reckdahl, New Orleans Times Picayune,                                           July 30, 2007

                     “Takashi Horisaki’s ‘Social Dress New Orleans’ at the                      Socrates Sculpture Park, Long Island City, New York,”                      Lupe Nunez-Fernandez, Saatchi Online, July 24,                       2007

                     “In Hurricane Katrina’s Surreal Backwaters,” Bill Sasser,                      Salon News at salon.com, July 23, 2007

                     “This Old House,” Katy Reckdahl, New Orleans Times                      Picayune, July 12, 2007

                     “Preserving Katrina’s Wrath in a Latex Skin,” Cain                      Burdeau, Washington Post, July 9, 2007

                     “Sculptor Tries to Beat Bulldozers,”Seth Gilmore,                      New York Times, July 6, 2007

                     “Post-Katrina Mold,” D. Erik Bookhardt, Gambit                                         Weekly, June 19, 2007

                     “Art for Our Sake,” Sarah Rich, worldchanging.com,                      June 10, 2007

                     “Art House Blues,” Katy Reckdahl with Doug MacCash                      and Michelle Krupa, New Orleans Times-Picayune,                      May 15, 2007

2004            “Second Skin,” David Bonetti, St. Louis Post-Dispatch,                      September 2, 2004

                     “Turfed Out,” Alison Oldham, Hampstead & Highgate                      Express, London, England, Nov. 15, 2004

                     “Gimme Some Skin,” Paul Friswold, Riverfront Times,                      September 1, 2004

                     “Current Shows,” Ivy Cooper, Riverfront Times,                                           July 28, 2004

                     “Within/Without – artists working with the collection,”                      museum catalog, The Washington University Art                       Museum, St. Louis, MO April 2-18, 2004

                     “City Beat–St. Louis,” Joe Jancsurak, Art Business                      News, Dec. 1, 2004

                     “Elliot Review,” Elliot Review, WU student Union,                      Nov. 15, 2004

                     “You Are Here – Takashi Horisaki,” Rudy Zapf,                                           Playback Magazine, Oct. 1, 2004

                     “20 – Elliot Smith Contemporary Anniversary                                           Exhibition,” David Bonetti, St. Louis Post-                                           Dispatch, Oct. 3rd, 2004

                     “Three Gallery Shows,” David Bonetti, St. Louis                                          Post-Dispatch, July 18, 2004