BioTAKASHI HORISAKI (b.1974, Tokyo) is a sculptor and community-based artist living between Los Angeles, New York and Tokyo. His work draws inspiration from architecture, urban planning, and material culture to examine how the materiality of the built environment intersects with social inequality, community-building, migration, and cultural circulation. Using latex, ceramics, plastic, and other mold-making processes, Horisaki creates and collaboratively collects indexical objects that re-present our physical surroundings by altering the form, rigidity, or color of familiar objects. Combined with storytelling—as recorded in oral histories, photographs, social media posts, or augmented reality apps—Horisaki considers the role our material surroundings play in an arguably de-materializing age. Horisaki’s work has been exhibited internationally at venues including New Orleans’s Prospect.1 Biennial (2008), the Incheon Women Artists Biennale, Korea (2009), the Contemporary Art Museum St. Louis (2012), Seoul Art Space Geumcheon (2012), and BankArt 1929’s R16 Studios in Yokohama (2018). In 2019, Horisaki received a Japan Foundation Asia Center Fellowship to conduct workshops at artist run spaces across South East Asia. These workshops culminated in a two-person exhibition and collaborative panel discussion series at Komagome Soko gallery in Tokyo in August 2019. He has received commissions from the Sculpture Center, NY; LMCC’s Paths to Pier 42 community-based commissioning program in the Lower East Side, NY; Socrates Sculpture Park, NY; the Queens Museum of Art, NY; the Storefront for Art and Architecture, NY; Buffalo Arts Studio, NY; and Southeastern Louisiana University. His work has also been shown in exhibitions at Azumatei Project (2020); Internet Yami-ichi (2019, 2016, 2015); SPRING/BREAK Art Show (2020, 2017, 2016, 2012); Recess Soho (2014); Regina Rex (2014, 2010); the Calder Foundation (2014); Abrons Arts Center Gallery (2013, 2011); hpgrp Gallery New York (2012); Dorsky Gallery Curatorial Projects (2012); Kunsthalle Galapagos, NY (2011); Regina Rex, NY (2010); Third Streaming Gallery, NY (2010); the Mason Gross Galleries at Rutgers University, NJ (2010); the Deutsches Hygiene-Museum, Dresden, Germany (2008); Flux Factory Inc., Queens (2006, 2007); The LAB Gallery, San Francisco (2006); Murray Guy Gallery, New York (2005); and the Washington University Gallery of Art, St. Louis (2004). A participant in the 2018 BankArt R16 Residency Program, the 2013-14 Harvestworks New Works Residency Program, the 2012-13 Abrons Arts Center AIRspace Residency, the 2012 Urban Research Project Residency at Seoul Art Space Geumchoen, and the 2008-09 LMCC Workspace Residency Program, Horisaki is the recipient of awards including the POLA Art Foundation Emerging Artist Grant (2010-11), the Urban Artist Initiative/New York City Fellowship (2008), the Dedalus Foundation Master of Fine Arts Fellowship (2005-06), and the Socrates Sculpture Park Open Space program grant (2007). His work has been discussed in publications including ArtNews, Artsy, Art in America, Artforum, ArtReview, The New York Times, the Brooklyn Rail, the Huffington Post, Hyperallergic, NPR’s Studio 360, the Geothe-Institut’s Humbolt Magazine, The News Hour with Jim Lehrer, the NEA Arts Magazine, the Art21 Blog and Bijutsu Techō. Horisaki has also conducted workshops and lectures at organizations including the Japan Society; DIA/Abrons Arts Center at the Lower East Side Prep Academy; Seoul Art Space Geumcheon; The 3RDspace Summer Leadership Institute in Creativity & Innovation presented by CoLAB, Piasa Bluffs Writing Project and the Saint Louis Art Museum; the Contemporary Art Museum St. Louis; Brooklyn House of Kulture in Coney Island; Pratt Institute; Webster University (St. Louis, MO); and Loyola University in New Orleans. Education MFA 2005 Studio Art – Sculpture May 2005 Washington University in St. Louis, St. Louis, Missouri B.F.A. 2003 Studio Art – Sculpture & Digital Media emphasis Loyola University, New Orleans, Louisiana 1997-2000 Urushi (Traditional Japanese Lacquer ware) apprentice under Nagatoshi Onishi, Professor Emeritus of Tokyo National University of Fine Arts & Music B.A. 1998 Waseda University, Tokyo, Japan Major in Art History (Japanese Buddhist/Craft Art History) Exhibition History 2024 Digital Diaspora: Futuristic Landscapes in Cyber Age, curated by Ann Shi, SCAA Gallery, Santa Clarita, CA INT/EXT LA, SPRING/BREAK Art Show, Los Angeles, CA 2023 !WILD CARD!’ Exhibition, SPRING/BREAK Art Show, NY Secret Show NYC 2023, SPRING/BREAK Art Show, NY 2022 Kiln Gods, Space 776, NY Extraordinary Still Life, NJCU Visual Arts Gallery, Jersey City, NJ 2021 #InstaBonsai Banpaku Remix, New York City Artist Corp Project exhibited off the Morgan Stop in Bushwick, Brooklyn, NY Crossing the Boundary from Behind, online group exhibition curated by Midori Harima for Impact 11: International Printmaking Conference, Hong Kong, https://www.impact11.hk/application /en/submission/submission-xge9rlp5/ Participant in Jia-Jen Lin’s collaborative project During this Time, Brooklyn Arts Council, on Instagram @during_this_time and delivered by USPS to select residents of Brooklyn 2020 #16 Vividor, Azumatei Project, Kanagawa, Japan and online Neo-Ornamentalist Redux, curated by Nina Horisaki- Christens, SPRING/BREAK Art Show 2020, NY 2019 Internet Yami-ichi NY3, NOWHERE Soho, NY Surface and Structure ~ Latex and Real Estate, Komagome Soko Gallery, Tokyo, Japan (two person exhibition featuring Takashi Horisaki and Keita Saito) 2018 R16 Studio Exhibition, BankART1929, Yokohama, Japan Illustrations for “アート・コレクターと税制 ― マイ・ルール 構築に向けて”series (#0, #1, #2-1, #2-2), by Mari Yamauchi, NOTE, https://note.mu/mari_ yamauchi/n/n0bd817de1b8e 2017 BKLYN IMMERSIVE curated by SPRING/BREAK Art Show, Brooklyn, NY Data Plan for a Preserving Machine, curated by L.O.G. (April Childers and Maria Britton) at Lump Gallery, Raleigh, NC Collaboration with designer Miniko Ko for KOllision Fashion Show, New York, NY 2016 Of Record: Takashi Horisaki and Gautam Kansara, Grizzly Grizzly, Philadelphia, PA Knife Hits, curated by Rachel Phillips, Spring Break, New York Internet Yami-ichi 2016, Knockdown Center, Brooklyn, NY Ontology of Influence, curated by Arny Nadler, Des Lee Gallery, St. Louis, MO 2015 Internet Yami-ichi, Knockdown Center, Brooklyn, NY Place Names the Place, curated by Andrew Thompson, Eastern Michigan University Gallery, MI 2014 Metabolic Morphology, Session at Recess (Soho), New York, NY Social Dress Lower East Side – Material Memories, Paths to Pier 42, Lower Manhattan Cultural Council and Lower East Side Waterfront Alliance, New York, NY Cemetarium, Emerson Dorsch Gallery and Regina Rex, Miami, FL Share This! Appropriation After Cynicism, Denny Gallery, New York, NY The Wall, Brooklyn Fireproof, New York, NY 2013 AIRSpace 2013, Abrons Arts Center, New York, NY Dia/Abrons LESP Education Exhibition, Abrons Arts Center, New York, NY(as educator/curator) Thanks, organized by Adam Parker Smith, Lu Magnus Gallery, New York, NY Backdrop for Labyrinth Choir’s rendition of Faure’s Requiem, collaboration with set designer Anna Etsuko Tsuri, Lexington, MA 2012 Urban Research Project, Seoul Art Space Geumcheon, Seoul, Korea Contested Territories, curated by Miguel Amado, Dorsky Gallery Curatorial Program, Long Island City, NY Views of Life, curated by Reiko Tomii, hpgrp Gallery New York, NY Social Dress St. Louis, curated by Los Caminos, Front Room at the Contemporary Art Museum St. Louis, MO Transhuman, curated by Cecelia Stucker, SchoolHouse Projects, New York Mutual Friends, Present Company, NY In Practice: You never look at me from the place from which I see you, curated by Kristen Chappa, Sculpture Center, Long Island City, NY 2011 InSite: Art +Commemoration – Ideas, Online exhibition as part of LMCC’s commemoration of September 11, Lower Manhattan Cultural Council, NY NY Can’t Hear the Revolution, Kunsthalle Galapagos, Brooklyn, NY The Days of this Society Are Numbered, Abrons Arts Center, curated by Miguel Amado, New York, NY 2010 Planet of the Slums, Third Streaming, New York, NY Regina Rex Gallery, Brooklyn, NY Planet of Slums, curated by LaToya Ruby Fazier and Omar Lopez-Chahoud, Mason Gross Galleries, Rutgers Univ., NJ Irrelevant: Local Emerging Asian Artists Who Don’t Make Art About Being Asian, Arario Gallery, New York, NY Social Dress Buffalo: The Past Reflecting the Future, Buffalo Arts Center, NY 2009 Hanging out at ABC No Rio, curated by Erin Marie Sickler, at ABC No Rio and Cuchfritos Gallery, New York, NY The 21st Century, the Feminine Century, and The Century of Diversity and Hope, curated by Heng-gil Han for the 2009 Incheon Women Artists Biennale, Korea Forever Summer, Denise Bibro Fine Arts, New York, NY Other, Other…High Visibility, curated by Wanda Raimundi-Ortiz, Nathan Cummings Foundation Gallery, NY 2008 Propect.1 Biennial, curated by Dan Cameron, New Orleans, LA Carving the Coast, Southeastern Contemporary Art Gallery, Southeastern Louisiana University, Hammond, LA Metro Poles: Art in Action, Jamaica Center for Arts and Learning in co-operation with the Bronx River Arts Center, Queens, NY 2 Degrees. Weather, Man and his Climate, The German Hygiene-Museum, Dresden, Germany Say Goodbye to…, curated by Donna Harkavy and Marion Wilson, Clifford Art Gallery at Colgate University, Hamilton, NY There is No Synonym for Hope, curated by Lauren Schell Dickens and Julie McKim, Smack Mellon, Brooklyn, NY This Case of Conscience: Spiritual Flushing and the Remonstrance, Queens Museum of Art, NY (commission – group show) Among the Ruins, Curated by Sarah Urist Green, Space 301 Off Center, Mobile, AL 2007 NYNYNY, Flux Factory, Long Island City, NY Social Dress New Orleans – 730 days after, Socrates Sculpture Park, NY(commission) Second Line, AdHoc Art Gallery, Brooklyn, NY 2006 Down the Street and around the Corner, Flux Factory Inc, Queens, NY(catalogue) Listening – Living Art from Tokyo and San Francisco, The LAB Gallery, SF, CA Boomerang: Visual Arts Alumni Exhibition, Collins C. Diboll Art Gallery, New Orleans, LA 2005 Invited, Emerging Artist Exhibition, Murray Guy, Chelsea, NY Inaugural Exhibition, Bruno David Gallery, St. Louis, MO MFA Thesis Exhibition, Des Lee Gallery, St. Louis, MO Sculpture Exhibition, 2400 S. Jefferson, St. Louis, MO 2004 -Scope London Art Fair, London, England (Invitational) Within/Without, Artists working with the Collection, Mildred Lane Kemper Art Museum, Washington University, St. Louis, MO (catalogue) Birth Rite September 2004, solo performance, Elliot Smith Contemporary Art Gallery, St. Louis, MO Well Hung – Passport to Contemporary Art Exhibit, Critical Mass for Visual Arts Exhibition, The Regional Arts Commission, St. Louis, MO (Juried) Emerging Sculptors: Louisiana Student Exhibition, International Sculpture Center Annual Conference, Barriere Space, New Orleans, LA Twentieth Anniversary Exhibition, Elliot Smith Contemporary Art Gallery, St. Louis, MO MFA School of Art Washington University Group Exhibition, Moreau Art Galleries at Saint Mary’s college, Notre Dame, IN Everything You Ever Wanted to Know about Art….., group exhibition, Elliot Smith Contemporary Art Gallery, St. Louis, MO Art is Everything, group exhibition, SEEN Gallery Group, Fort Gondo Gallery, St. Louis, MO 1st year MFA Exhibition, Des Lee Gallery, St. Louis, MO Vernacular, two person show, Fort Gondo Gallery, St. Louis, MO 2003 Scully Scholarship Winner Solo Exhibition, Dana Center Gallery, New Orleans, LA Righty Tighty Lefty Loosey group sculpture exhibition, St. Louis, MO 2002 7th Annual No Dead Artists: An Open Juried Exhibition of New Orleans Art Today, Jonathan Ferrara Gallery, New Orleans, LA 1st Annual Tennessee Williams Visual Arts Juried, Exhibition New Orleans, LA Loyola Annual Juried Student Show, New Orleans, LA (1st Place Award) Grants/Awards/Residencies 2021 New York City Artist Corps Grant, NYC, NY 2020 Smack Mellon Hot Picks Artist, NYC, NY 2019 Sa Sa Bassac Residency, Phnom Penh, Cambodia (postponed) Japan Foundation Asia Center Fellowship to conduct workshops at artist run spaces in South East Asia 2018 R16 Studio Residency, BankART1929, Yokohama, Japan 2013-14 Harvestworks New Works Residency, NYC, NY 2012-13 AIRspace, Abrons Arts Center, Henry Street Settlement, NYC, NY 2012 Commission for ceiling preservation artwork, Storefront for Art and Architecture, NYC, NY 2012 Urban Research Project Residency, Seoul Art Space Geumcheon, Seoul, Korea 2010-2011 POLA Art Foundation Emerging Artist Research Grant, Japan 2008 Lower Manhattan Cultural Council Workspace Residency Recipient, NYC, NY Urban Artist Initiative/New York City Fellowship Recipient, NYC, NY 2007 Open Space Program Commission from Socrates Sculpture Park, NYC, NY 2004-5 Recipient of Dedalus Foundation Master of Fine Arts Fellowship in Painting and Sculpture, Dedalus Foundation, Inc. NYC, NY Nominated for 2004 Outstanding Achievement in Contemporary Sculpture Award, International Sculpture Center, Hamilton, NJ 2003 School of Art Scholarship, Washington University, St. Louis, MO Lectures/Visiting Critic/Teaching Experience 2020 ZOOM Studio Visit with Hisamatsu Tomoko, resident artist at TOKAS, Tokyo (organizer and participant) 2019 Instructor at Parsons School of Design, New School (Integrated Design Studio sophomore requirement class) Series of six panel discussion public programs for Surface and Structure ~ Latex and Real Estate, Komagome Soko Gallery, Tokyo, Japan (organizer and participant) Ran collaborative workshops in artist-run spaces in Manila, Phnom Pehn, Yogyakarta, Jakarta, Ho Chi Minh City, and Hanoi over the course of two months 2018 Visiting Critic for undergraduate Painting Class, Tokyo University of the Arts, Tokyo, Japan 2017 Visiting Artist at Musashino Art Museum Class, Musashino Art University, Tokyo, Japan Visiting Artist at Sculpture Department, Hartford Art School, University of Hartford West Hartford, CT Ceramics Teaching at Henry Street Settlement Senior Citizen House Teacher for “Japanese Pottery Ware” Adult Workshop, Abrons Arts Center, NYC, 2016 Instructor at Parsons School of Design, New School (Integrated Design Studio sophomore requirement class) Ceramics Teaching Artist for Abrons Public School Art Program, PS172 and MS88, Brooklyn, NY Ceramics Teaching at Henry Street Settlement Senior Citizen House Ceramic Teaching at Artshack, Brooklyn, NY: Introduction of Wheel Traditional Pottery in Japan 2014 Abrons Arts Center Adult Workshop, New York, NY 2013 Potluck Artist Talk Series, Japan Society, New York, NY DIA/Abrons Arts Center Art Class for Lower East Side Prep Academy, NY “Politics and Cultural Histories,” coversation with Danielle Adair and Takashi Horisaki in conjunction with Contested Territories at Dorsky Gallery Curatorial Programs, Long Island City, NY 2012 Workshop for high school students in Geumcheon, Korea Workshop for The 3RDspace Summer Leadership Institute in Creativity & Innovation, presented by CoLAB, Piasa Bluffs Writing Project and the Saint Louis Art Museum, hosted by the Saint Louis Art Museum, St. Louis, MO Guest Lecture, Teen Museum Studies program, Contemporary Art Museum St. Louis, MO Guest Lecture for Sculpture II, St. Louis Community College at Meramec, St. Louis, MO 2011 Hunter College MFA Student Association Visiting Critic, CUNY, NY Recycling Culture, Urban Neighborhood Services with Brooklyn House of Kulture, Coney Island, NY 2008 Pratt Institute, Visiting Artist Lecture and Studio Visits, Brooklyn, NY 2006 Radio interview on WTUL, New Orleans, LA 2005 Webster University, Visiting Artist, St. Louis, MO Washington University in St. Louis, Lacquer Arts lecturer for Asian Arts: Ancient Worlds to Contemporary Practice Art History class, MO 2004 Loyola University New Orleans, Visiting Artist, LA Bibliography 2020 “Take a Tour of the 2020 Spring/Break Art Show in New York,” by Claire Selvin and Tessa Solomon, ArtNews, March 3, 2020, https://www.artnews.com/gallery/ art-news/photos/spring-break-art-show-2020- slideshow-1202679860/2020303_spring_break_292/ “5 Works at Spring/Break You Can Buy for under $10,000,” by Alina Cohen, Artsy, March 4, 2020, https://www.artsy. net/article/artsy-editorial-5-works-springbreak-buy-10-000 “5 Outstanding Works at SPRING/BREAK 2020,” by Chandra Noyes, Art & Object, March 6, 2020, https:// www.artandobject.com/news/5-outstanding-works-spring break-2020 2019 Takashi Horisaki and Keita Saito (two artist catalogue), Tokyo: Shibu House and Art Phil, 2020 (pending) “芸術と不動産と展覧会。きりとりめでる評「齋藤恵汰& 堀崎剛志『構造と表面』〜ラテックスと不動産」” by Kiritori Mederu, Bijutsu Techo, August 31, 2019, https:// bijutsutecho.com/magazine/review/20463 “齋藤恵太＆堀崎剛志「構造と表面」” by Tomomi Maruyama, Commune Plus, August 11, 2019, https:// communeplus.themedia.jp/posts/6748503/ “「芸術と不動産のラディカルな関係」とは？ 齋藤恵汰と 堀崎剛志による「構造と表面」展が駒込倉庫で開催へ” Bijutsu Techo Exhibition News, July 19, 2019, https:// bijutsutecho.com/magazine/news/exhibition/20191 “アートに平和を託す 横浜でワークショップ” by Takashi Miki, Kanagawa Shimbun, Monday January 14th, 2019 2018 “廃線、アートに再生 「Ｒ１６スタジオ」一般公開 横浜・桜木町” (author not listed), Asahi Shimbun, November 17, 2019 “きょうまで 芸術拠点「Ｒ１６」公開 東横線旧横浜－ 桜木町の高架下” by Shota Shimura, Tokyo Shimbun (Yokohama, Kanagawa edition), November 18, 2018 2017 “Japanese Artist Builds Full-Scale Replica of Home Hit by Hurricane Katrina,” by DJ Pangburn, Vice Creators Project, May 11, 2017, https://creators.vice.com/en_us/ article/japanese-artist-hurricane-katrina-home-replica “SPRING/BREAK BKLYN IMMERSIVE Is a Welcome Relief From Art Fair Frenzy,” by Terence Trouillot, Artnet News, May 8, 2017, https://news.artnet.com/market/ springbreak-bklyn-immersive-951815 “SPRING/BREAK has Sprung in BKLYN,” by Roman Kalinovski, Artcritical, May 7, 2017, http://www.artcritical. com/2017/05/07/springbreak-sprung-bklyn/ “SPRING/BREAK presents BKLYN IMMERSIVE,” by Jongho Lee, Eyes Towards the Dove, May 9, 2017, http://eyes-towards-the-dove.com/2017/05/springbreak- presents-bklyn-immersive/ “Bklyn Immersive – Spring/Break Art Show,” by Stephen Barry, Arte Fuse, May 13, 2017, https://artefuse.com/ 2017/05/13/bklyn-immersive-springbreak-art-show/ “Latex sculpture of demolished shotgun house in Lower 9th Ward to rise again — in Brooklyn,” by Katy Reckdahl, The New Orleans Advocate, April 23, 2017, http://www.theadvocate.com/new_orleans/news/article _645a7cc2-27b5-11e7-b770-c367bd13cef0.html “These Stunning Immersive Art Installations Will Shift Your Worldview,” by Keith Estiler, Hypebeast, May 21, 2017, https://hypebeast.com/2017/5/new-art-installations- 2017-may 2015 “10 Artists to Know from America’s First-Ever Internet Flea Market,” by Kate Messinger, The Creators Project, September 14, 2015, http://thecreatorsproject.vice.com/ blog/10-artists-to-know-from-americas-first -ever-internet-flea-market 2014 “History in the Age of the Latex Cast,” by Kelly Chan, Critical Writing at Recessart.org, May 2014, http://www.recessart.org/activities/8978 “The Making of Paths to Pier 42: An Interview with Takashi Horisaki and Team,” by Amanda Pelavin, Aug 14, 2014, http://pathstopier42.com/ 2014/08/14/the-making-of-paths-to-pier-42-an- interview-with-takashi-horisaki-and-team/ “We Went to Soho: Soho Art and Vietnamese Food,” by Corinna Kirsch and Whitney Kimball, ArtFCity.com, April 23, 2014, http://artfcity.com/ 2014/04/23/we-went-to-soho-soho-art-and- vietnamese-food/ “Placemaking and Social Equity: Expanding the Framework of Creative Placemaking,” by Debra Webb, Artivate: A Journal of Entrepreneurship in the Arts vol 3, issue 1 (Winter 2014), p.35-48. “Glimpses of the Past and a High Tech Future: A Critic’s Gallery Crawl Through SoHo and TriBeCa,” by Karen Rosenberg, New York Times, April 3, 2014 2013 “Interviews: Residency Artists in Seoul,” by Dan Hards, Eloquence Magazine; For Creators About Creators issue 65 (August 2013), p.60-102 “Provocations, Improvisations: Encounters Between Art and Qualitative Research,” talk by Rachel Holmes, 3rd Summer Institute in Qualitative Research, Manchester Metropolitan University, UK, July 24, 2013 2012 “Abstract Containers: a Ready-Made Architecture Exhibition,” by Mitch McEwen, Huffington Post, http://www.huffingtonpost.com/ mitch-mcewen/abstract-containers-exhibit _b_1859000.html, Sept 7, 2012 “Latex Sculpture as Connective Tissue in St. Louis,” by Regina Martinez, Reblog Foundation, http://rebuild- foundation.org/blog/?p=1170, July 27, 2012 “In the Galleries – Social Dress St. Louis: Learning and Unlearning at CAM,” by Jessica Baran, Riverfront Times, June 28, 2012 “Takashi Horisaki presents Social Dress St. Louis at the Contemporary Art Museum St. Louis,” by Laura Elizabeth Barone, Temporary Art Review, http://temporaryartreview.com/takashi-horisaki- presents-social-dress-st-louis-learning-and- unlearning-at-the-contemporary-art-museum- st-louis/, July 3, 2012 “Personal Effects,” by Nina Horisaki-Christens, Art21 Guest Blog, http://blog.art21.org/2012/06/15/ personal-effects/, June 15, 2012 “Urban Social Network,” by Chennie Huang, CH Reviews, http://www.chenniehuang.com/2012/01/ urban-social-network_24.html,January 24, 2012 2011 “The Days of This Society Are Numbered,” by Gail Victoria Braddock Quagliata, Brooklyn Rail, April 2011. “Planet of Slums,” by Jonathan T.D. Neil, Art “New York: SOHOの若い熱気が生み出す、「スラムの 惑星」展の秀逸,” by 藤森愛実、美術手帳 vol.63 n.949, March 2011, p.147 “Art Talk With Takashi Horisaki,” by Paulette Beete, ArtWorks (NEA Blog), http://www.arts.gov/artworks/ ?p=5426, Feb 1, 2011 “Takashi Horisaki’s Social Dress New Orleans: 730 Days After,” NEA Arts Magazine Web Feature, http:// www.nea.gov/about/NEARTS/2010_v4/webf/ horisaki/horisaki.html, Jan 2011 2010 “The Big Apple & The Big Easy: Trauma, Proximity, and Home in New (and Old) Media,” by Joy Fuqua, Old and New Media After Katrina, edited by Diane Negra. New York: Palgrave MacMillan, 2010, pg 41-65. “An Upstate Tour: Public Art on the historic waterways of New York,” by Nadine Wasserman, Public Art Review vol. 22 n. 1, Issue 34, fall/winter 2010, pg. 50 “Ghosts of Disaster in New Orleans,” by Ian Epstein, Hyperallergic Online Magazine, October 8, 2010 “Eyes Forward,” by Jack Moran, ArtVoice vol. 9 num. 6, June 2010 2009 “An Interview with Horisaki Takashi”, Trenton Truitt, Eye-Ai Magazine, River Field, July 2009, pg. 32-35 “Art Project to Support New Orleans,” Trenton Truitt, Hiragana Times, March 2009, pg 33-35 “Being There,” Elizabeth Schambelan, Artforum, January 2009, pg. 175 “Desigualdad sin fronteras,” Ulrich Beck, Humboldt (published by Goethe-Institut), n.152, 2009, pg. 56-61 “ハリケーンから３年、ニューオリンズ初の国際展は 従事充実の出来映え,” by 藤森愛実、美術手帳 vol.61 n.917, January 2009, p.117 2008 Prospect.1 New Orleans [exhibition catalogue], ed. Dan Cameron. Brooklyn: Picturebox, 2008. “New Orleans Art Exhibition Aims to Help City Heal” Jeffrey Brown, PBS’s the NewsHour with Jim Lehrer, December 15, 2008 “Kaleidoscopic Biennial for a Scarred City,” Roberta Smith, New York Times, November 3, 2008 2007 “New Orleans Ghost House,” Matthew Isreal, Art in America, October 2007, pg. 49 ” ‘Katrina’ House in Queens Brings Storm’s Devastation Home,” Trent Morse, Williamsburg Greenpoint News + Arts, Volume 1 Number 2, September 2007 “Meditations on New Orleans, two years after the storms,” Brian Chasnoff, San Antonio Express-News, August 24, 2007 “Household: Learning from Leaving New Orleans,” by Joy Fuqua, In Media Res, http://mediacommons.futureofthe book.org/imr/2007/08/17/household-learning-from- leaving-new-orleans, August 17, 2007 “Vulture: Art Candy: After the Flood,” Rachel Wolff, New York Magazine Online, August 8, 2007 “NOLA Comes to Queens,” Jason Rhein and Jocelyn Gonzales, Studio360, August 3, 2007 “Replica of Ruined N.O. Home Makes New York Debut,” Katy Reckdahl, New Orleans Times Picayune, July 30, 2007 “Takashi Horisaki’s ‘Social Dress New Orleans’ at the Socrates Sculpture Park, Long Island City, New York,” Lupe Nunez-Fernandez, Saatchi Online, July 24, 2007 “In Hurricane Katrina’s Surreal Backwaters,” Bill Sasser, Salon News at salon.com, July 23, 2007 “This Old House,” Katy Reckdahl, New Orleans Times Picayune, July 12, 2007 “Preserving Katrina’s Wrath in a Latex Skin,” Cain Burdeau, Washington Post, July 9, 2007 “Sculptor Tries to Beat Bulldozers,”Seth Gilmore, New York Times, July 6, 2007 “Post-Katrina Mold,” D. Erik Bookhardt, Gambit Weekly, June 19, 2007 “Art for Our Sake,” Sarah Rich, worldchanging.com, June 10, 2007 “Art House Blues,” Katy Reckdahl with Doug MacCash and Michelle Krupa, New Orleans Times-Picayune, May 15, 2007 2004 “Second Skin,” David Bonetti, St. Louis Post-Dispatch, September 2, 2004 “Turfed Out,” Alison Oldham, Hampstead & Highgate Express, London, England, Nov. 15, 2004 “Gimme Some Skin,” Paul Friswold, Riverfront Times, September 1, 2004 “Current Shows,” Ivy Cooper, Riverfront Times, July 28, 2004 “Within/Without – artists working with the collection,” museum catalog, The Washington University Art Museum, St. Louis, MO April 2-18, 2004 “City Beat–St. Louis,” Joe Jancsurak, Art Business News, Dec. 1, 2004 “Elliot Review,” Elliot Review, WU student Union, Nov. 15, 2004 “You Are Here – Takashi Horisaki,” Rudy Zapf, Playback Magazine, Oct. 1, 2004 “20 – Elliot Smith Contemporary Anniversary Exhibition,” David Bonetti, St. Louis Post- Dispatch, Oct. 3rd, 2004 “Three Gallery Shows,” David Bonetti, St. Louis Post-Dispatch, July 18, 2004 |