{"id":51,"date":"2007-06-10T05:29:50","date_gmt":"2007-06-10T05:29:50","guid":{"rendered":"http:\/\/takashihorisaki.com\/main\/?p=51"},"modified":"2017-08-31T02:44:42","modified_gmt":"2017-08-31T02:44:42","slug":"social-dress-new-orleans-2","status":"publish","type":"post","link":"http:\/\/takashihorisaki.com\/?p=51","title":{"rendered":"Social Dress New Orleans"},"content":{"rendered":"<p><em>Social Dress New Orleans \u2013 730 days after<\/em>, 2007<br \/>\nDocumentation of the production process, on-site at 1941 Caffin Avenue<\/p>\n<p><em>Social Dress New Orleans \u2013 730 days after<\/em> is the culmination of a three-month effort at 1941 Caffin Avenue, located in the still-devastated Lower Ninth Ward neighborhood. Appling layer upon layer of latex mixed with paint to the exterior of a house damaged by Hurricane Katrina, then peeling them off after they had dried, Horisaki created a textured 3-D print of the structure. This fabric-like rubber skin was then transported to New York and hung on a steel-and-wire frame, mimicking the shape and dimensions of the original structure. The political and physical struggle to create this work was also documented on Horisaki\u2019s blog at <a href=\"http:\/\/www.socialdress.blogspot.com\">http:\/\/www.socialdress.blogspot.com<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The artist is grateful for contributions made by<\/strong><br \/>\nSocrates Sculpture Park<br \/>\nRochelle Alfaro<br \/>\nJessica Bizer<br \/>\nGerald Cannon<br \/>\nLeon and Terry Christens<br \/>\nPaul Chan<br \/>\nRobert &amp; Sawako Gensure<br \/>\nMax G. Hommel<br \/>\nMr. and Mrs. Johnson<br \/>\nDon Marshall<br \/>\nMaterials for the Arts<br \/>\nRobert &amp; Sharon Pettus<br \/>\nMichael Rousey<br \/>\nCommunity Center of St. Bernard<br \/>\nLee &amp; Michael White<br \/>\nJazz Foundation of America<br \/>\nJazzmobile<br \/>\nand Cementex Latex Corp (10% of total latex)<\/p>\n<p><strong>and for the generosity of<\/strong><br \/>\nLaura Blereau<br \/>\nMark Carty<br \/>\nCharisse Celino<br \/>\nJohn and Debi Christens<br \/>\nLuis Colmenares<br \/>\nMary Len Costa<br \/>\nSean Derry<br \/>\nCourtney Egan<br \/>\nJan Gilbert<br \/>\nMark Grote<br \/>\nSharon Lambert<br \/>\nAmbarish Manepalli<br \/>\nGene Meneray<br \/>\nIan Rousey<br \/>\nPenny Stallings and Barry Secunda<br \/>\nAbigail Shelton<br \/>\nGlenda Swetson<br \/>\nRichard Tugwell<br \/>\nElizabeth Underwood<br \/>\nJurgen Vogt<br \/>\nStephanie Vu<br \/>\nBrooke Wehner<br \/>\nBruce Whittaker<br \/>\nEvenstar, Inc.<br \/>\nLoyola University New Orleans<br \/>\nUS Army Corps of Engineers<br \/>\nArt Council of New Orleans<br \/>\nVestiges Project \/ CAC<br \/>\nP.S. Marcato Elevator Co., Inc.<br \/>\nNorth of New Orleans<br \/>\nSweet Home New Orleans<br \/>\nand many anonymous donors<\/p>\n<p><strong>and his onsite super helpers<\/strong><br \/>\nJames Goedert<br \/>\nTuyen Nguyen<br \/>\nRebecca Parker<br \/>\nKyle Throssell<br \/>\nConnie Swann<br \/>\nKimberly Ajamiseba<br \/>\nKyle Bravo<br \/>\nMarla Kristicevich<br \/>\nJenny LeBlanc<br \/>\nDavid Guevara<br \/>\nChristopher Derris<br \/>\nStu Hollins<br \/>\nTuyet Nguyen<br \/>\nStephanie Parker<br \/>\nStephen C.M. Quick<br \/>\nAlessandra Molli<br \/>\nJohn Nguyen<br \/>\nChristina Natividad<\/p>\n<p><strong>for the ongoing support of<\/strong><br \/>\nLuis Colmenares<\/p>\n<p><strong>and extends special thanks to <\/strong><br \/>\nhis wife, Nina Horisaki-Christens<\/p>\n<p><strong>Thank you also to everyone who contributed to the 2017 BKLYN IMMERSIVE and Social Dress New Orleans preservation campaign!<\/strong> Thank you so much to Tracey Wilson, Rattanamol Singh Johal, Sneha Ganguly, Tamana Araki, Tsukiko Matsuda, nishimurarie, Aki Inomata, RA Friedman, bloodypixy, Kat Ryals, camera.sophia, Miwa Koizumi, Takako Oishi, Jia-Jen Lin, Amy Youngs, Maki Teshima, akiraline, world.flaneur, Masako Shiba, Hidenori Ishii, zhiromi, Kosuke Fujitaka, snjmrkm, Toby Kasper, Laura Blereau, Yuichi Yazaki, Andrew Thompson, Elana Mann, Junya Yamamine, Roseann Weiss, Kyoco Taniyama, Christopher K. Ho, mweinst, Maia Murphy, and many many anonymous donors!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Social Dress New Orleans \u2013 730 days after, 2007 Documentation of the production process, on-site at 1941 Caffin Avenue Social Dress New Orleans \u2013 730 days after is the culmination of a three-month effort at 1941 Caffin Avenue, located in the still-devastated Lower Ninth Ward neighborhood. Appling layer upon layer of latex mixed with paint [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[10,14,8,6,17,13,5],"_links":{"self":[{"href":"http:\/\/takashihorisaki.com\/index.php?rest_route=\/wp\/v2\/posts\/51"}],"collection":[{"href":"http:\/\/takashihorisaki.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/takashihorisaki.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/takashihorisaki.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/takashihorisaki.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=51"}],"version-history":[{"count":18,"href":"http:\/\/takashihorisaki.com\/index.php?rest_route=\/wp\/v2\/posts\/51\/revisions"}],"predecessor-version":[{"id":745,"href":"http:\/\/takashihorisaki.com\/index.php?rest_route=\/wp\/v2\/posts\/51\/revisions\/745"}],"wp:attachment":[{"href":"http:\/\/takashihorisaki.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=51"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/takashihorisaki.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=51"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/takashihorisaki.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}